Showing posts with label romance. Show all posts
Showing posts with label romance. Show all posts

Tuesday, December 16, 2008

Review: A Tuesday Like Today

Michael Sedano

Cecilia Urbina. A Tuesday Like Today. Translated by Clare E. Sullivan. San Antonio: Wings Press, 2008.
ISBN: 0916727475 ISBN 13: 9780916727475

Someone rings the doorbell, rousing Márgara from a whiskey-induced nap. Is it David? Has the mysterious-stranger-become-lover tracked her down after so short a delay?

This is how Cecilia Urbina's novel ends, with an unanswered question, a drowsy Márgara, an unfinished novel on the floor beside her chair as she rises to go answer her door.

Of course it's David, isn't it? This is a romance, isn't it?

Urbina's and Sullivan's A Tuesday Like Today wends its way from the ruins of Cambodian temples, to Bali, to Mexico City, with a detour via a story-within-a-story to the cowboy and indian Old West. Exotic locales with a pair of exotic sisters and a story, that, once it takes hold, holds a reader's interest to see how Urbina develops the tantalizing clues and parallels she weaves into her story.

At first, the story seems oddly out of place. The rich by marriage Camila, protective older sister Márgara, traveling the world on Camila's husband's credit card while he works on some mysterious, possibly illegal, business in Europe.

The novel's story within a story fuzzes the boundaries between the history of Camila's namesake grandmother and the sisters' pursuit of the definitely out of place David Masters-Iturbe, a piano playing Mexican they stumble upon in the bar of the Grand Hotel, who knows the history and ins and outs of Angkor Wat and other enchanting places.

The sisters become captivated by the urbane David. Camila, the married sister with the man-killing stare, seems to have the upper hand, even disappearing into the night with David while Márgara retires to their room barely containing her big sister dudgeon, yet nurturing her bitterness at a failed relationship of her own. Camila always gets the man.

David is like a local. Puts his jeep at the women's disposal, along with his services as guide and raconteur. The first hint that something lurks beneath the surface comes when the women spin David a family legend of Camila's namesake in Victorian Mexico involving the Decameron, a forbidden flirtation, and a handsome but ultimately worthless husband. But the question hangs over them, who is David, why is he at home in this remote part of Southeast Asia, does he have a shady occupation as does Camila's husband? Is history repeating itself?

The family legend of grandmother Camila's flirtation then disastrous marriage to the bad poet cheating gambler Francisco is turned upside down when the sisters invite David to tell his story. Rather than take on his own history, David fabricates the unknown history of Francisco, between the flirtation and the grandparents' union some years later. David confesses he weaves a story of lusty gamblers and fearless women out of countless of movies he's seen, but to Camila and Márgara, David has masked elements of his life in the cloak of the fable.

Their escapist evening tales come to an ugly confrontation with their surroundings when the tourists meet dozens of children missing eyes, feet, legs; victims of land mines left behind by various invaders. It's a searing fact that later bears a direct connection to David's story, his search for a sister missing somewhere in the Cambodian jungles.

I was hoping for a bit of ribaldry, a la the Decameron, but Urbina underplays it with nothing lubricious. A bit of understated sex on the beach, the lovers' two-day tryst in Bali, very little urgency one might find in a U.S. novel. But then, this is a Mexican novel. Unlike numerous translations, A Tuesday Like Today has a smooth continuity that doesn't bump up against the original language and culture. In English, it's an involving story. In Spanish, it won the Premio Coatlicue 2008, as did Elena Poniatowska, putting Urbina in the finest literary company.

Wings Press is not some powerhouse advertising behemoth--Urbina's novel is not yet on the publisher's website, so for your fortunate reader friends who merit an excellent recommendation they're not going to find at some mega store, order and read your copy of A Tuesday Like Today and pass it along.
Coming in at only 160 pages, the novel passes quickly through one's hands and into a friend's.


That's the antepenultimate Tuesday of the last month of 2008. Uau, wow, and Santa Claus around the corner desperation. Still time to mail order hard-to-find titles, or visit your local independent bookseller. See you next week.

mvs

Thursday, July 10, 2008

Catching Up With Johnny Diaz



JOHNNY DIAZ

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SCORE


It’s not just a name—it’s a frame of mind.

Nestled amid peach and candy-pink Art Deco buildings, Score is the hottest gay bar in Miami’s South Beach. And for friends Ray Martinez, Ted Williams, and Brian Anderson, there’s no better way to start the weekend than by checking out the steady stream of beautiful Latin men coursing in and out of Score’s doors…

While Miami is home to the most gorgeous males ever created by God or a lifetime gym membership, Ray, resident movie critic at The Miami News, would give the dating scene a one-star review. Tired of hooking up with sculpted, shallow hunks who use books as towel weights, Ray is thrilled to finally meet a guy he wants to take home to mami and papi…

Ted, host of a popular Miami version of Entertainment Tonight, has enjoyed all the perks of his celebrity status. But being overexposed has its downside. Ted’s longing for a deeper connection spurs a reckless move that could cost him everything…

Brian has a life of leisure with his fabulously wealthy older boyfriend. The key rule to their open relationship: no sleeping with the same guy twice. But ever since Brian met a Puerto Rican love god named Eros, it’s a rule he keeps breaking…

A sexy, smart, and irresistibly witty new novel, Miami Manhunt explores one wild year when love gets crazy, hearts get broken and mended, and the only thing to count on is the fact that life will never be the same again…

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Praise for Johnny Diaz and Boston Boys Club


“Racy, funny, and smart. You’re going to love this book.” —Scott Heim, author of
Mysterious Skin and We Disappear

“Fun, well-written, and a great page-turner.” --Alisa Valdes-Rodriguez, New York Times bestselling author

"The excellent Johnny Díaz has produced another hilarious arresting novel about that most impossible of all quests: finding love, true love, in Miami." Junot Diaz, author of New York Times bestseller
The Brief Wondrous Life of Oscar Wao

Bio

Johnny Diaz is a Living/Arts writer for The Boston Globe, where he writes about pop culture, style trends and Hispanic-related arts stories. Before that he worked at The Miami Herald. As a reporter there, he shared in the 2000 Pulitzer award coverage of the federal seizure of Elian Gonzalez and the chaos that erupted in Miami afterwards. He also covered some of the biggest breaking stories in South Florida, such as the Gianni Versace murder. He was also a featured contributor in the first Chicken Soup for the Latino Soul. Johnny lives in Boston and readers can visit his website at www.beantowncuban.com.

We caught up with Johnny just as his new book was ready to launch. For our first conversation with Johnny, just take a peek here.

1. Describe what your life has been life personally and creatively since
the launch of Boston Boys Club?

It's been a non-stop rollercoaster. I find myself much busier than I was before BBC came out. I receive a lot of emails from readers and I answer each one. (I also print them out and save them in a journal.) As I promoted BBC through book readings and interviews last year, I had to
finish Miami Manhunt so I juggled both books in different ways. I felt I was caught between the two. And I also have my day job to do as a full-time reporter at The Boston Globe.

So it's been busy but a good busy. Now I find myself in the same scenario
as last year: I am promoting Miami Manhunt as I finish the last leg of my third book.

The emails from readers and comments make it all worthwhile. I feel my
stories have connected me with others. Hopefully, I won't go completely gray by this time next year.

2. What's been the response regarding BBC from the queer community, the Latino community, and the literary community at large? Do you feel it'sbeen liberating to tell that story and carve out chico lit as a genre?

A lot of different readers connected with each f the characters from BBC. But I did receive a large amount of feedback from fellow younger Latino gay men who felt they finally saw someone like themselves or someone they knew through the Tommy Perez character (Cuban-American writer from Miami where he has a tight-knit overprotective family.) That was one of the reasons I wrote BBC and Miami Manhunt - to add to the small gay Latino presence in American literature where central gay Latino characters are few.

In that aspect, I feel it has been liberating for me and for readers as
well because we should be able to see ourselves reflected in the books we read. We need more gay Hispanic representation, gente! Come out and share your stories.

3. How are you able to juggle journalism and fiction writing?

At times, it's hard, a non-stop juggling act. I can't put them down! I try to write the fiction on the weekends, Friday nights or Sunday mornings or when I go to Miami on vacation to visit my parents. I find that being there completely disconnects me from Boston and work. I can truly focus on the fiction.

The journalism is automatic for me. It's in my blood and flows out of me. I
think it's harder to capture emotions and feelings in first-person as I do for fiction than it is to write about other people in third-person for my articles which I find easier.

In a way, both styles of writing complement one another.
Whatever I am working on for The Globe has a way of inspiring a scene for a chapter in the books. When I go running or cycling to think of scenes or dialogue for the book, I often stumble upon a story idea. I don't think I would be able to do one without the other. They go hand in hand. The key is to stay organized. If I can write a chapter a week or every other week, then I'm on schedule.

Sometimes it's hard to do this because if I had a heavy week of newspaper
writing, the last thing I want to do is sit in front of the computer and write away. But I still do it because each style of writing serves as an outlet for the other. One begats the other.

4. Are there emerging themes that you see yourself being drawn to? What are they and how would you like to address them?

I enjoy writing about family and the dynamics of sibling relationships when one is gay or of a different gender. That has been a running theme in both books and in my third book (which I am currently writing.) Family is a universal theme that anyone can relate to and I plan to keep using it as a backbone for my novels because it resonates with my readers but most of all, with myself. I come from a large Cuban family where my aunts and uncles are second-parents and where my cousins are second-siblings. The ever-evolving structure of family, what does it mean today versus 20 years ago, continues to inspire me. But I also enjoy writing about love - finding it and keeping it. I believe most people can relate to that as well.

5. Who are the writers you enjoy for pleasure's sake ? Why?

I'm a big Nicholas Sparks fan. He writes simple stories in a clean
writing style yet the stories pack an emotional punch. I'm a big Alisa Valdes-Rodriguez fan, who inspired me to write Boston Boys Club, because she writes in a fluid, tongue-and-cheek style that is entertaining and
educational. Dean Koontz is another favorite. I enjoy how he weaves a suspense/mystery with witty rat-tat-tat dialogue and descriptive prose.

6. Who are the writers that raise the bar for you? Why?

Scott Heim, who wrote "Mysterious Skin " and the recent "We Disappear,'' is another favorite writer. His writing radiates a quiet power, a mix of suspense and poetry that gently pulls the reader along in his Kansas-inspired mysteries.

Junot Diaz is another one that has set the bar high for this Diaz He is a perfectionist when it comes to his writing, often taking years to write one book. I wish I can be like that. His writing is like a whole other language, a fast-paced Spanglish pocked with new and old pop culture and
scifi references yet tinged with the duality of being a Latino and American.



7. Do you think chico lit as a niche market will become problematic for you as you move forward. If so, how?

Eventually, it will if I decide to change things up a bit for a fourth novel. Supposed I want to write a novel about a straight married couple, will my readers follow me after reading my novels about gay Hispanic men? I don't know. That's a risk. I have been encouraged by my publisher to keep doing what I am doing but eventually, I am going to want to strike out and do something else. I don't want to be boxed into one genre, even though I put myself there. Readers like consistency and so do publishers. Stay tuned.

8. What do you think will help take your writing to the next level?

Pushing myself harder to challenge myself in the way I write will help me get to the next level. I have become comfortable writing in first-person for fiction. I'm curious to see how I would write in third-person, as I do in my news articles. Would I be a stronger writer that way? I also believe
working with different editors also help writers grow because you are exposed to another sensibility. To grow as a person, you need to change and the same goes for writers. I think by trying to come up with different storylines and characters, I may just grow into the writer I aspire to be one day.

Lisa Alvarado

Thursday, March 29, 2007

Boston Boys Club-Sex y la Ciudad/National Latino Writer's Conference



Move over Candace Bushnell, Carrie, Samantha, Charlotte and Miranda, Tommy, Mikey, Rico and Kyle are on the scene. Summer reading season is almost here and I can't think of a better pre-season recommendation than Boston Boys Club. Chic lit had to make way for chica lit, and I'm glad to say the the ground for chico lit is being broken by Johnny Diaz and his own tale of the city, filled with hot boy on boy sex, friendship, romance, trying to make sense of who you are, and what you really want against a well-crafted backdrop of Beantown.

Flanked by gorgeous brick row houses in the heart of Boston’s South End, the Club Café is a bar where everybody knows your name—and who you slept with last. Every night men like Tommy Perez, Rico DiMio, and Kyle Andrews take their place among the glistening crowd sporting chest-defining shirts and lots of smooth, tanned skin, sizing up the regulars and the new blood while TV monitors blare Beyoncé and Missy Elliott.

For Tommy, Thursdays at the Club Café in the company of his wingman Rico and a Skinny Black Bitch (vodka and Diet Coke) are unmissable. Recently relocated from Miami to Boston to take a reporting job at The Boston Daily, Tommy is finding it hard to break away from his tight-knit Cuban family, but his homesickness goes into rapid remission when he meets Mikey, a blue-eyed, boyish guidance counselor from Cape Cod.

Smart, funny, and wicked cute, Mikey is perfect boyfriend material…until his drinking leads Tommy to suspect that he’s got some issues of his own. Rico—a tough-talking, Italian-American accountant with a gamma ray smile and mournful green eyes that hint at a past he’ll admit to no one—is sure Mikey is bad news, but to Rico any relationship that lasts longer than three hours sounds like bad news. Then there’s Kyle, the lean, preening model and former reality show star who makes a red-carpet entrance into the CC every Thursday as if a swarm of cameras still follows his every move, but whose real life is about to take a dramatic turn he never anticipated.


Over the course of one unforgettable year, Tommy is forced to rethink everything he’s ever believed about life, lust, and love. And in the Club Café, a place filled with endless possibilities—of stumbling upon the perfect partner, the perfect story idea, or just a play buddy for the night—Tommy might finally discover the person he was meant to be.

Any like any good summer read, Boston Boys Club entertains, amuses, and is the perfect compliment to a long, lazy day at the beach and cold tropical drink of your choice. But don't be fooled, there is a serious side to this book, which makes it all the better a slice of LGBT life. There are issues and illnesses, losses and things falling apart. But in the end, things come together and these boys win your heart. This book is a keeper, and Johnny Diaz had better start working on a sequel.


Boston Boys Club
Kensington
ISBN-10: 0758215452

Written by Lisa Alvarado

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Other Important News: Do not miss this year's National Latino Writer's Conference, held at the National Hispanic Cultural Center in Albuquerque, NM. http://www.hcfoundation.org/

This three-day conference that takes place May 17-19, 2007, invites all writers published and unpublished, to participate in workshops conducted by nationally and internationally known authors in the genres of poetry, fiction, screenwriting, playwriting and news writing. Panels of editors and publishers representing such presses as Arte Público Press, Warner Books, Curbstone Press, Simon and Schuster, University of New Mexico, Arizona and California Presses and many others will speak on the process of getting your work published. Agents will be available for consultation and interview.

In addition to the aforementioned workshops and panels, there will be an open microphone reading at which time registrants can read from their work to an audience of authors and publishers. A Thursday evening social and Friday night banquet will captivate participants into further discussion and networking.

Presenters Include:

OSCAR HIJUELOS [Fiction] was the first Hispano to win the Pulitzer Prize for his second novel, Mambo Kings Play Songs of Love which was made into a movie starring Antonio Banderas and Armand Assante. His novel, Empress of the Splendid Season was published in 1999 and his latest, A Simple Habana Melody was published in 2002.
www.answers.com/topic/oscar-hijuelos

LORI CARLSON [Youth Literature] is an editor, translator and author of Caña Quemada Burnt Sugar: Contemporary Cuban Poetry, Translations and Originals. Among her other publications are Red Hot Salsa: Bilingual Poems on the Young Latino in the U.S. and The Sunday Tertulia, both published by HarperCollins. www.cbcbooks.org/cbcmagazine/meet/carlson_
lorimarie.html


BRAULIO MUÑOZ [Fiction] is the author of an award winning novel, The Peruvian Notebooks. He is on the faculty of Swarthmore College and has also published A Storyteller: Mario Vargas Llosa Between Civilization and Barbarism, published by Rowman & Littlefield in 2000. In addition to literary criticism he also has published another work of fiction, Alejandro y los Pescadores de Tancay which was published in Italy in 2004.
www.uapress.arizona.edu/BOOKS/bid1708.htm

KATHLEEN de AZEVEDO [Fiction] is the author of an award winning novel, Samba Dreams. She is on the faculty of Skyline College and her work has appeared in numerous publications including: Los Angeles Times, Americas, Boston Review, Michigan Quarterly Review, Greensboro Review and many others. Her novel Samba Dreams, "reflects the conflict between the Brazilian and the American culture: the sensual and the pragmatic; the myth of self-determination and the myth of El Dorado."
http://labloga.blogspot.com/2006/02/spotlight-on-
kathleen-de-azevedo.html


PAT MORA [Youth Literature] is a nationally prominent poet/writer. Among her many writing awards, she was the winner of the 2006 NHCC Literary Award and author of Adobe Odes. Her many books of poetry, fiction and children's literature have made her one of the most productive and respected Chicana writers on the literary scene. www.patmora.com

BENJAMIN SAENZ [Poetry] is a prolific poet and fiction writer. He is the author of Dreaming the End of War. He is on the faculty of University of Texas, El Paso and his latest book joins his many others. A former roofer, onion picker, janitor, theologian and Catholic priest, Saenz is now a prize winning essayist, novelist, poet and activist passionately in love with El Paso and its peoples.
www.benjaminsaenz.com/Pages/BenHome.html

BEVA SÁNCHEZ-PADILLA [Playwriting] is a native New Mexican, identifies herself as a literary media and performing artist. Her six produced plays include: La Guadalupe Que Camina, Mali and Maya: A Story of Malinche, Letty y su Mama, Contradictions Split-Rebozo, and An Altar for Emma. As part of her workshop on playwriting, she will perform segments from two of these plays.

ALFREDO CORCHADO [News writer] is a renowned investigative journalist with the Dallas Morning News and previously with the Wall Street Journal and the El Paso Herald-Post. He has won several awards for his coverage of Mexicans in the United States through special projects including: "The Mexicanization of the United States," and the "Disappearing Border." His reporting led to an internal U.S. inquiry and the removal of heads of the Immigration Customs Enforcement agency. His reporting on drug violence along the border led to the discovery of crimes committed in Texan cities under the order of Mexican drug cartels. Google Alfredo Corchado + Dallas Morning News and visit http://www.findarticles.com/p/search?tb=art&qt=%22
Alfredo+Corchado%22

YOLANDO NAVA [Marketing] Director of Marketing for NM Monuments of DCA. She is a specialist on writing for marketing and commercial media. Author of It's All in the Frijoles, Nava is an Emmy award-winning broadcast journalist, author and motivational speaker. Her book was winner of the Latino Literary Hall of Fames' 2001 Best Self-help Book Award and was also featured in the Writers Corner of Spirituality.com. Google "Yolanda Nava."

JAVIER GRILLO-MARXUACH [Screenwriting] is a writer for major TV serials like Boomtown, Medium, Lost, Law & Order: Special Victims Unit, Charmed and many others. He also writes his own comics with titles like Super-Skrull which he did for Marvel Comics Mini Series and Middleman, which he did for Viper Comics. He hosts a weekly video show performed entirely by Grillo-Marxuach. New episodes appear on his main website, RadioFreeJavi.com or Google "Javier Grillo-Marxuach."

This three-day conference costs a total of $300.00 including all meals. Previous attendees receive a "founders discount" of $50.00 if you register by February 1st. Travel and lodging will be your responsibility. Participating hotels are listed on the registration form. For more information please call 505.246.2261 x148 or email katie.trujillo@state.nm.us.